In Dreams of Leaving and Remaining, award winning journalist Meek explores a nation uneasy with itself. In the decades since the twilight of empire, Britain has struggled to find its place, and identity, in the world. This has come to the point of crisis since the 2008 financial crash. Meek meets the farmers and fishermen who wish Britain to turn its back on the world and restore its former glory, and are willing to lose the very support that their industry depends on. He reports on a Cadbury's factory that is to be shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an ageing population. Through his journey he asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind. There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation. Instead, he demands that we reconsider the power of the stories that we tell ourselves about who we are, a nation's alienated from itself.

In the outer reaches of a country recently torn apart by civil war lives a small Christian sect and its enigmatic leader, Balashov. Anna Petrovna, a beautiful, restless photographer, is raising her young son by herself amid this brutal landscape. Stationed nearby is a company of Czech soldiers, desperate to get home but on the losing side of the recent conflict. Each soldier lives in a fragile co-existence and a troubling uncertainty prevails. Into this isolated community trudges Samarin, an escapee from Russia's northernmost prison camp. Immediately apprehended, he is brought before Captain Matula, the Czech company's megalomaniac commander. But the stranger's appearance has caught the attention of others, including that of Anna Petrovna. And when a local shaman is found murdered, suspicion and terror engulf this village. To be published in twenty countries, "The People's Act of Love" is quite simply magnificent storytelling and it promises to be an auspicious literary event.

Since Britain's 2016 referendum on EU membership, the nation has been profoundly split: one side fantasizing that the referendum will never be acted upon, the other entrenched in questionable assumptions about reclaimed sovereignty and independence. Underlying the cleavage are primal myths, deeper histories, and political folk-legends. James Meek,'the George Orwell of our times', goes in search of the stories and consequences arising out of a nation's alienation from itself. In Dreams of Leaving and Remaining, Meek meets farmers and fishermen intent on exiting the EU despite the loss of protections they will incur. He reports on a Cadbury's factory shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an aging population. Dreams of Leaving and Remaining is urgent reporting from one of Britain's finest journalists. James Meek asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind.There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation.

SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION A BOOK OF THE YEAR IN THE TIMES, GUARDIAN, SUNDAY TIMES, DAILY EXPRESS, SCOTSMAN and SPECTATOR Three journeys. One road. England, 1348. A gentlewoman flees an odious arranged marriage, a Scots proctor sets out for Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires. A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire - set against one of the biggest cataclysms of human history.

'Inventive and original' The Times 'Fans of intelligent historical fiction will be enthralled' Hilary Mantel Shortlisted for the Walter Scott Prize for Historical Fiction Longlisted for the Orwell Prize for Political Fiction Three journeys. One road. England, 1348. A gentlewoman flees an odious arranged marriage, a proctor sets out for a monastery in Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. In the other direction comes the Black Death, the plague that will wipe out half of the population of Northern Europe. To Calais, In Ordinary Time is an exploration of love, death and power, against the backdrop of catastrophe.

1919, Siberia. Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead, suspicion and terror engulf the isolated community, which harbours a secret of its own . . .

A Dog's Heart: An Appalling Story is Mikhail Bulgakov's hilarious satire on Communist hypocrisies. This Penguin Classics edition is translated with notes by Andrew Bromfield, and includes an introduction by James Meek. In this surreal work by the author of The Master and Margarita, wealthy Moscow surgeon Filip Preobrazhensky implants the pituitary gland and testicles of a drunken petty criminal into the body of a stray dog named Sharik. As the dog slowly transforms into a man, and the man into a slovenly, lecherous government official, the doctor's life descends into chaos. A scathing indictment of the New Soviet Man, A Dog's Heart was immediately banned by the Soviet government when it was first published in 1925: alternating lucid realism with pulse-raising drama, the novel captures perfectly the atmosphere of its rapidly changing times. Andrew Bromfield's vibrant translation is accompanied by an introduction by James Meek, which places the work in the context of the Russian class struggles of the era and considers the vision, progressive style and lasting relevance of an author who was isolated and suppressed during his lifetime. This edition also contains notes and a chronology. Mikhail Bulgakov (1891-1940) was born in Kiev, today the capital of Ukraine. After finishing high school, Bulgakov entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes on Cuffs and Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940. If you enjoyed A Dog's Heart, you might like Bulgakov's The Master and Margarita, also available in Penguin Classics. 'One of the greatest of modern Russian writers, perhaps the greatest' Nigel Jones, Independent

At the dawn of the twenty-first century Adam Kellas finds himself hurled on a journey between continents and cultures. In his quest from the war-torn mountains of Afghanistan to the elegant dinner tables of north London and then the marshlands of the American South, only the memory of the beautiful, elusive Astrid offers the possibility of hope. With all the explosive drama of The People's Act of Love, this is a spellbinding tale of folly and the pursuit of love from one of today's most talented and visionary writers.

Winner of the 2015 Orwell Prize for Books "The essential public good that Margaret Thatcher, Tony Blair and now Cameron sell is not power stations, or trains, or hospitals. It's the public itself. it's us." In a little over a generation the bones and sinews of the British economy - rail, energy, water, postal services, municipal housing - have been sold to remote, unaccountable private owners, often from overseas. In a series of brilliant portraits the award-winning novelist and journalist James Meek shows how Britain's common wealth became private, and the impact it has had on us all: from the growing shortage of housing to spiralling energy bills. Meek explores the human stories behind the incremental privatization of the nation over the last three decades. He shows how, as our national assets are sold, ordinary citizens are handed over to private tax-gatherers, and the greatest burden of taxes shifts to the poorest. In the end, it is not only public enterprises that have become private property, but we ourselves. Urgent, powerfully written and deeply moving, this is a passionate anatomy of the state of the nation: of what we have lost and what losing it cost us - the rent we must pay to exist on this private island.

"The essential public good that Margaret Thatcher, Tony Blair and now Cameron sell is not power stations, or trains, or hospitals. It's the public itself. it's us." In a little over a generation the bones and sinews of the British economy - rail, energy, water, postal services, municipal housing - have been sold to remote, unaccountable private owners, often from overseas. In a series of brilliant portraits the award-winning novelist and journalist James Meek shows how Britain's common wealth became private, and the impact it has had on us all: from the growing shortage of housing to spiralling energy bills. Meek explores the human stories behind the incremental privatization of the nation over the last three decades. He shows how, as our national assets are sold, ordinary citizens are handed over to private tax-gatherers, and the greatest burden of taxes shifts to the poorest. In the end, it is not only public enterprises that have become private property, but we ourselves. Urgent, powerfully written and deeply moving, this is a passionate anatomy of the state of the nation: of what we have lost and what losing it cost us - the rent we must pay to exist on this private island.

This is the greatest book about the archangels gives details about them and tells the child how to call on there favorite angel for safety and protected and lets them sleep good and have peaceful rest

A RICHLY IMAGINED NOVEL OF FAMILY, LOVE AND SCIENCE SET IN MODERN-DAY LONDON, FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF "THE PEOPLE'S ACT OF LOVE
"Ritchie Shepherd, aging former pop star and wildly successful producer of a reality teen talent show, is starting to trip over the intricacy of his own lies. Gallingly, his sister, Bec, a scientist developing a crucial vaccine, is as addicted to truth-telling as Ritchie is to falsehood. Ritchie relies on her certitude even as he seethes with resentment. A devastating chain of events is set into motion when Bec tells her fiance, Val, a powerful tabloid editor, that she can't bring herself to marry him after all. Furious, he sets into motion an elaborate revenge plot intended to destroy Bec by exposing the people who are close to her.
A bighearted epic in the manner of Tolstoy, James Meek's "The""Heart Broke In" is also as shrewd, starkly funny, and of-the-moment as Jonathan Franzen's "Freedom" or Jeffrey Eugenides's "The Marriage Plot." Most of all, it is a staggeringly good read, fiction with the reverberating resonance of truth.

Sounds like easy money: collecting an antique for a rich stranger. Alan Allen, freshly unemployed, short of cash, and caught up in a bizarre case of mistaken identity, is about to find out otherwise. But not before being swept on a European wild-goose chase in this refreshing, surreal and gloriously funny novel.

Bec Shepherd is a malaria researcher struggling to lead a good life. Ritchie, her reprobate brother, is a rock star turned TV producer. When Bec refuses an offer of marriage from a powerful newspaper editor and Ritchie's indiscretions catch up with him, brother and sister are forced to choose between loyalty and betrayal.

The Museum of Doubt is a new collection of surreal and unnerving short stories from award-winning writer James Meek. The array of characters who populate Meek's vague and elusive worlds are driven by paranoia and doubts, as well as hopes and fears of things only half-glimpsed.

Children of Albion Rovers is the best-selling and critically acclaimed collection of novellas that features six of the most exciting young writers to emerge from Scotland in the 90s: award-winning authors Irvine Welsh, Alan Warner, Gordon Legge, and James Meek and introducing the striking new talents of Laura Hird and Paul Reekie. Children of Albion Rovers is a world of tripped-out crematorium attendants (Alan Warner), vengeful traffic-wardens (James Meek), born-again vinyl junkies (Gordon Legge), and teenage girls who sexually humiliate their teachers (Laura Hird). Also included are Paul Reekie's fictional account of ideals betrayed, and Irvine Welsh's first ever sci-fi story, featuring alien space casuals wreaking havoc through the known universe. The resulting mix is intoxicating to say the least.